TIFFANIE MANG
“A Gentle Dissolve” — Thievery Corporation
Tiffanie is an illustrator and concept artist based in Los Angeles. A graduate from the University of Southern California with a BA in Animation and Digital Arts, her last job was working in Gdansk, Poland at Breakthru films as an animator on Loving Vincent, the world’s first fully hand painted feature film.
Now back in Los Angeles, Tiffanie works as a concept designer at BartKresa Studio, a leading 3-D projection mapping studio specializing in creating transformative experiences for shows all around the world. Always inspired by nature and the outdoors, Tiffanie’s main hobby and passion is plein air painting, which she also teaches classes for.
Painting above: Sunrise While Walking to Work © Tiffanie Mang
1...From where do you draw inspiration? Is there a place you go to feel inspired? Who are some other artists, past or present, that you admire?
Tiffanie: I definitely draw inspiration from nature and architecture for my illustrations and plein air. I am always observing my surroundings, and often times when I get excited about certain lighting and colors at different times of a day, I build my story for an illustration around that. There is no set place I go to get inspired — I am always trying to find inspiration wherever I go.
There are so many artists who I admire and look up to. I love Sargeant, Sorolla, Schmidt, Monet, Turner, and Degas just to name a few. Contemporary artists that I look up to in animation and fine art are Pascal Campion, Mike Hernandez, Chris Appelhans, Tadahiro, Uesugi, Christophe Lautrette, Chien Chung Wei, Joseph Todorovitch, and Jeremy Lipking, Of course many more as well!
2. What is the greatest aspect of working as an artist?
You can create art ALL the time! There is no greater fun than that.
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3. What are you trying to communicate through your art?
I am always trying to tell a story that everyone can relate to in my art. If it is an illustration, I try to capture sweet, charming, or sentimental moments that I observed or felt, and create one image that tells a story with the composition, color, and lighting. With my plein airs, I always try to capture the atmosphere and lighting of the landscape in the brush strokes and color palette; I never try and replicate the colors that I see, but more like the colors I felt while observing the landscape and soaking in its beauty. I always try and experiment with different color harmonies to make colors vibrant against and sing with each other.
4. As an artist, what does “success” mean to you? “Creativity”?
Success to me is an ever-changing goal that I am always trying to reach as an artist. I believe that to be a successful artist, you should never consider yourself completely successful, but should always strive to push for something more. To attain success, I must push myself all the time to go out of my comfort zone. It does not necessarily mean just being “creative” when designing, but it is when I feel like I have put my soul and identity in the piece and have been true to the original concept I first brainstormed. When the emotion and message I am trying to convey is adherent in the brush strokes and color, that’s when I consider a piece a success.
5. What was it that made you decide to pursue art as a career?
I had been going to art classes since I was 6, so art was always in my life. However, I wasn’t sure I want to try and pursue art and animation as my career until I watched Avatar by Spielberg and was amazed at the visual effects of the film. While studying animation at the University of Southern California, I slowly discovered that my passion in the film industry was working as a visual development artist and brainstorming conceptual ideas during the early stages of creating a film.
During these last couple of years, I have gotten the privilege to study under various mentors who have helped me discover my passion for plein air painting and illustration even more. Now, I am currently working as a painter and animator on the film Loving Vincent with Breakthru films, where we are making the first fully hand painted feature film about the life of Van Gogh.
6. How would you describe your style? How has your style evolved over time?
I would describe my style as very loose, free, emotional, and organic. I used to love very detailed, intricate paintings but now I and attracted to pieces that carry the impression or essence of the subject. I am always inspired by color and light- I am constantly observing my surroundings and noticing how people interact, how the light is affecting the atmosphere, etc. My style is constantly evolving even though I don’t always notice it- I think as I technically improve in painting, I unexpectedly discover new fresh ways to put down brush strokes and experiment with different color palettes.
7. What are some of your favorite pieces, and why? Which is your most personal piece?
My favorite pieces are probably the ones that I resonated most with at the time I saw my inspiration. They are the ones that are not necessarily the most detailed or took longer to create- sometimes pieces that I whip out in an hour or two are the ones that I consider most successful. My favorite digital piece up to date is titled “An Artist’s’ Thoughts” (see slideshow below). It shows a girl sitting by a large window, notebook by her on the couch, gazing out through the rainy glass. I painted this one at a more darker time in my life, when I wasn’t sure what to do next and felt confused, but I felt something good was going to happen in the near future- I didn’t know what and when. I painted it spontaneously at a coffee shop, and was surprised at how many people connected with it, even though it wasn’t the most technically well executed piece.
8. What has been one of the most difficult aspects of working as an artist? What advice do you have for people experiencing similar difficulties?
Art is always difficult, and that is the beauty of it. The challenges one faces constantly trying to find his or her voice is what helps one grow stronger and squeeze the creativity juices. For me, one of the most difficult aspects is trying to find my personal style in my art after learning from so many amazing artists. Sometimes, my mind can be cramped when I like someone’s work too much, and I end up trying too hard to “copy” his or her style. In the end, the illustration turns out awful and I have spent more time trying to just be a replica of someone else. I have learned how valuable it is to take tips from people and soak in aspects of their work that I like, and then mold it into my own unique style.
In the working field, sometimes you cannot always paint in your style when the client is looking for something else. As an artist, one has to be flexible and adapt to many different styles. The more styles you can paint in, the more likely you are to be hired at different companies.
9. Where do you see yourself heading in the next 10 years?
That is a tricky question — right now I want to do so many things that I actually can’t quite decide. But I do know for sure that I want to work in the animation field for a bit more, teach classes in plein air painting, and eventually establish my own studio where I can create and art direct my own short or feature film.
Trailer for Thralled (below) is an interactive experience that takes place in 1700’s Brazil and seeks to take the player on an allegorical and surreal journey of a runaway slave, Isaura, who searches for her baby son that was taken away from her.
More of Tiffanie’s work can be viewed at the following webpages:
TiffanieMang.Squarespace.com
Instagram
Facebook
All art on this page © Tiffanie Mang
*Please do not copy work from this website
and please do visit the artists’ pages for more info!
Tiffanie Mang is originally from San Diego, California. She is a graduate of USC with a major in Animation and Digital Arts.At the time of our first interview, her creative projects included working as Art Director and artist on Thralled, an award winning interactive experience on Mac, PC and Ouya — and an inspired stint working with Breakthru Films.
Update on her webpage: She’s a sucker for tiramisu, huskies, dark chocolate, croissants, and sunsets . . .